EGYPTIAN ELEMENTALS DANCE AND MOVEMENT: TESTIMONIALS

‘Juliet has transformed my life and way of thinking, in mind, body and spirit. An amazing talent, so knowledgeable on all levels, uniquely special and has saved me from myself and old ways with respect to poor posture and poor exercise regimes after many injuries in the gym with instructors who have little training and little care. Juliet has helped me overcome old injuries and is completely passionate and graceful in her instructions. In Juliet’s gorgeous studio she has the ability to transcend time and take you to a beautiful place and you leave feeling reborn! Thank you Juliet. A truly beautiful lady!’ N.T.D

‘My life would not seem complete without my regular dose of these fabulous dance classes.After a class I feel rejuvenated and fully alive. My back has opened up, and the beneficial effects I experience after that invigorating blend of stretching, workouts and dancing feel like a combination of what I previously got from pilates and yoga. This dance has tangible effects not just on the physical. It is life changing in that it also works on your psyche, exposing your blocks and where things aren’t in balance. Juliet gives not just a great physical workout but also useful philosophies for life. Juliet’s classes are always varied. While reinforcing the basics she inevitably introduces new challenges that reinforce both strength and flexibility and pushes your boundaries and all to the rhythms of intoxicating music that gets into your blood. If you persevere through the first few weeks, you’ll be hooked for life.Seductive music, group energy, fabulous moves, irresistible costumes and a sense of the timeless and eternal, this is some of what you will experience in Juliet’s classes. She is a born teacher and she will lead you on the dance of your life, where you will discover the real you.’
F.M

‘I have been attending Egyptian Dance Classes taught by Juliet Le Page for a few years. I remember when I first attended class I felt so relieved. At last I had found someone that can teach me authentic Egyptian dance, music and culture. This is important to me because my mother is Egyptian but she left the country when she was 16. Juliet teaches with passion, discipline and knowledge. Her heart and energy goes out to us. The warm up and stretches incorporated in the lesson are of immense value. It prepares me physically and mentally for the dance. Juliet has taught me the structure of Egyptian dance, music and culture. This gives me a deeper understanding of the music.Juliet has taught me to feel the music within and to centre my energy. Her wealth of knowledge in all aspects of dance and the body has been priceless. It has made me connect with my inner core s trength. After class I fell like I am in rhythm with my soul and I am walking to a beat!’
N.S.

‘When I went to Egyptian dance classes run by Juliet Le Page, I felt a deep connection to the dance and music. Being Egyptian myself, I felt as if I was at home. Juliet’s teaching in exceptional. The way she explains the movement, dance and exercise make me understand the music at a different level. My daughter attends Juliet’s classes. It makes me happy to see her learning the dance and culture of the country of my birth.’
M.A.

 

…’Our organisation consists of people who come from Egypt and are well versed in its culture and its arts. Indeed I know some spent their youth actively in the company of artists and dancers. It is my great pleasure to convey to you their most appreciative feedback on your excellent, informative and thoroughly professional presentation. They were most impressed with your knowledge of the history of true Egyptian dance (rather than what is often passed off as such) and the ease with which you embrace its principles.’

M.W.E Egyptologist and Anthropologist

 

‘Thank you Juliet, once again for bringing the gift of Egyptian dance into my life, and with it all the wonderous shifts in my awareness and my energy flow. Every class is a feast I look forward to experiencing! Learning dance from you has been a revelation. I have always loved to dance. Movement and music always excites me, but you have awoken me to so much more. The connection of dance to my spirit and soul. I can’t thank you enough for that.’
DH

‘I am really enjoying these classes – thankyou for your fabulous teaching and breakdown of the dance movements. I appreciate even more now, how it is a long slow process to learn the dance, and how each person has their own personal journey both mind and body to be able to learn the various dance movements. It is really an awakening.
Egyptian dance -Juliet style, reveals your own personal inner world.’ NM

Systrum

‘I have had dancing classes with Juliet for approximately 6 years now. I was told about her class by a friend of mine and I had just come back from a trip to Egypt. So it interested me. I am a fairly fit person having done yoga, gym and some sort of exercise over the years. This dance works your body connecting all the muscles from the ground up. So any weak points are worked on. This dance has made me realise what my weak points are and to work on them. So not only do I have fun dancing, but I know I am also working those tiny muscles on the inside and making sure they are all connected and strengthened. It has taught me to know myself and understand how to use my body correctly.I wish I had met Juliet a lot earlier in my life, but as they say – better late than never.’
VR

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Latest findings on King Tutankhamun’s Tomb

1st March 2019

Ok! Here we are! The latest and possibly the last instalment of the Nefertiti and King Tut tomb saga…. (see past posts) – The Italian team who have completed ‘extensive studies with ground-penetrating radar’ have announced there is nothing behind the walls of King Tut’s tomb and accordingly it seems this is might be the final word.

This tomb is basically a plastered box room, with many inexplicable anomolies (both with the tomb construction/orientation and many of the artifacts), which flaunt the burial protocols for a king in Ancient Egypt.    I think to be an Egyptologist you have to be totally entralled and inspired by a good mystery – because sometimes that’s all you’ll get…

https://www.theage.com.au/world/middle-east/mystery-of-hidden-rooms-in-tutankhamun-s-burial-chamber-solved-20180507-p4zdqf.html

May 7th 2018

Well here is the latest (see link below)…..but somehow I sense not the final word, on King Tut’s tomb being in proximity to Nefertiti’s burial chamber. There is something that doesn’t sit well with me in all of this, an inkling that not enough has been done, and even where focus has been exhausted (i.e. side wall chambers), I would like to know what Dr. Nicholas Reeves has to say on the matter. The hyperbole around the theory, (inevitable given the subject matter), may have worked against him. Egyptology – like many art/sciences – can be a minefield of ego, jealousies and politicing as is historically the case in most arts/sciences. I hope there is some continued interest in the theory.  Dr. Reeves has been so patient and respectful observing the painfully slow protocols that inevitably surround such a theory and investigation of such an iconic tomb. This alone has garnered my respect and admiration.

https://news.nationalgeographic.com/2018/05/king-tut-tutankhamun-tomb-radar-results-science/

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DANCING OR DANCER?. yes, there is a distinction.

115_115It is very common for students to meet a particular expectation by externally painting on a shape or beingtaughtto perform, rather thanto seeka deeper experience with their bodies, and by extension their movement expression.

Dance movement, indeed any authentic, systemic movementmust first be seeded from deep within. Often, inthe beginning, the seed is so small as to be indiscernible except to the most trained eye. It is the role of the seasoned teacherto determine which is occurring from the very inception aforced external expression, or the truegenisis of the movement the student, once aware of this important distinction,has the opportunity to develop both the deep unconcious internal knowing and theconscious external structure. Every ancient civilisationholds these principles bestowinga different language and stories for the same meaning. Ancient Egypt is no exception and holds its own disciplines,myths and language to describe this familiar and eternal dance of balance and energy. The body/mind/spirit isinextricably intertwined and we need a fine balanceto bring freedom andbeauty to movement. Find out more by registering your interest for courses or workshops – where we would travel togetheron this heart felt journey.

Juliet Le Page December 2016

the fruit tree yielding fruit whose seed is inside itself Sufi saying

A few testimonials from students:

Thank you Juliet, once again for bringing the gift of Egyptian dance into my life, and with it all the wonderous shifts in my awareness and my energy flow. Every class is a feast I look forward to experiencing. Learning dance from you has been a revelation. I have always loved to dance. Movement and music always excites me, but you have awoken me to so much more. The connection of dance to my spirit and soul. I cant thank you enough for that. D.H

Juliet has transformed my life and way of thinking, in mind, body and spirit. An amazing talent, so knowledgeable on all levels, uniquely special and has saved me from myself and old ways with respect to poor posture and poor exercise regimes after many injuries in the gym with instructors who have little training and little care. Juliet has helped me overcome old injuries and is completely passionate and graceful in her instructions. In Juliets gorgeous studio she has the ability to transcend time and take you to a beautiful place and you leave feeling reborn! Thank you Juliet. A truly beautiful lady! NTD x

Link to more testimonials on the EED website http://www.eed.com.au/page/dance/testimonials/index.html

Please also follow this link to another blog post The Javelin Principle which may be of interest to more experienced students.

http://www.eed.com.au/blog/?p=1046

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BAREFOOT KISS

When we walk like (we are rushing), we print anxiety and sorrow on the earth. We have to walk in a way that we only print peace and serenity on thKISS THE EARTH THICHNHAT HANHe earth… Be aware of the contact between your feet and the earth. Walk as if you are kissing the earth with your feet.

? Thich Nhat Hanh

If you would like to know more about our wonderful feet and how to keep them fit fordance follow this link on ‘The Beauty of Being Barefoot’ from the EED website:http://www.eed.com.au/page/dance/health_benefits/beauty-in-being-barefoot.pdf

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SEED YOUR DANCE

THE SEED - A 5 WEEK EXPLORATION

The acorn does not know a mighty tree exists within it…It simply grows.

 

‘THE SEED’– This 5 week intro coursewill gently strengthen and align your body using your innate body/mind/spirit potential. I have spoken at great length of the importance of understanding the roots of a cultural dance – but first and foremost there must be The Seed from deep within you.

In this course wewill be exploring:

  1. The very seed of powerful, aligned, balanced, nuanced movement.
  2. The genesisof Egyptianmovement traditions and how to seed this into your own experience and expression….
  3. Ancient eastern healing breath/body work to further awaken and deepen your connection with the Elementals.
  4. The latest bioscience findingsinto body/mind/movement.

You will discoveryour innate body schema, offering an opportunity to explorea deeper more profound source of movement. After all, you can only get to a destination if you know from whence you start. You will also discover how each of the above formsasymbiotic relationship to finally convey thedynamic and authenticexperience we seek inour dancescape.

In time, this applied knowledge will transform not only how you move, but how you experience movement. It almost goes without saying that it also offers amazing holistic health and healingopportunities, regardless of your starting base.

This course would also benefit more experiencedlevels, provided youare willing to take that step back to explorenew challengesand new possibilities to the exclusion ofprevious experience/expectations. Course starts August 12, 2.15p.m. Classes are small, intimatein a private, purpose built studio. Please contact me via facebook messagehttps://www.facebook.com/elemental.egyptian.dancewith any queries you may have.

the fruit tree yielding fruit whose seed is inside itself’ Sufi saying

A few testimonials from students:.

“Thank you Juliet, once again for bringing the gift of Egyptian dance into my life, and with it all the wonderous shifts in my awareness and my energy flow. Every class is a feast I look forward to experiencing. Learning dance from you has been a revelation. I have always loved to dance. Movement and music always excites me, but you have awoken me to so much more. The connection of dance to my spirit and soul. I cant thank you enough for that”. D.H

“Juliet has transformed my life and way of thinking, in mind, body and spirit. An amazing talent, so knowledgeable on all levels, uniquely special and has saved me from myself and old ways with respect to poor posture and poor exercise regimes after many injuries in the gym with instructors who have little training and little care. Juliet has helped me overcome old injuries and is completely passionate and graceful in her instructions. In Juliet’s gorgeous studio she has the ability to transcend time and take you to a beautiful place and you leave feeling reborn! Thank you Juliet. A truly beautiful lady! NTD x”

Link to more testimonials on the EED website

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THE JAVELIN PRINCIPLE

AUTHENTIC BEGINNINGS

dance4Are you a Conscious Incompetent? Congratulations – you are rarer than you think. Being aware of your current’state of play’ is not only the first critical step to improvement,but a sign you possess the capacity to candidly and honestly self-assess – one of theintegral components of any skilled and talented dancer…

Frank and honest self -evaluation, combined with a little determination and dedication, could facilitate astep beyond any impatience or discontent.

Perhaps you are nothappy with your dancing- not progressing as you would like? There are many good teachers out in the field, and perhaps you are happy withyour current experience, but still feel it reflects a small aspectofyourgreater inner potential. Or alternatively,even after years of training, you still only rote through a series of steps withouta sense of real connection or understanding of your movement potential and/or authentic Egyptian heritage/movement, all of which are keyto enrich and enliven your dance experience. During this 5 week course we will seek to unite anthenticity andinner flame to igniteyourmotivation, inspiration and creativity. This course will suit both thosewho have very little training and also thosewho perhaps have been students for a while,but are seekinganother route todevelopment. Be prepared to take those few steps back to go forward with more power and accuracy and you may surprise yourself with the results. Please message through facebook if you have any further questions.https://www.facebook.com/elemental.egyptian.dance

Coursecommences Feb 2.00pmin Brighton 25th Feb – 2 places only are now available –

 

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Crash course in Egyptian cinema: Cinematology episode 1 from Mada Masr

http://www.madamasr.com/sections/culture/crash-course-egyptian-cinema-cinematology-episode-1

Crash course in Egyptian cinema: Cinematology episode 1

Mada Masr has teamed up with YouTube series Cinematology to publish subtitled video essays onappreciation of Egyptian cinematwice a month.

In 2015, young Egyptian mechanical engineer-turned director Mohamed Abu Soliman started publishing short opinionated video essays exploring Egyptian cinema and the filmmakers behind it.

The first episode on Youssef Chahine’s image composition and camera work has been watched over 5000 times and opened several conversations on film appreciation on YouTube and Facebook.

I felt like I needed to create something to remind people how great our cinema is, Soliman tells Mada Masr, and that each episode could be a crash course in filmmaking.

He didn’t originally plan Cinematology as a series, but decided to keep going due to the amount of positive feedback he received. He has published sevenvideo essays so far, and more than 12,000 people follow the Facebook page.

Each video essay is under 10 minutes long and filled with footage from films, quirky energetic narration in Arabic and insights into cinematic technique, filmmakers biographies and the historical context of making films in Egypt. Some analyze aspecific characteristic of a director’s work, others focus on one film, and some simply use film clips to construct a visual profile of a film industry figure.

Soliman uses the Cinematology Facebook page to share these videos, as well as articles and video essays on filmmaking from all over the world. This content keeps the page active, as hecreates the Cinematology videos on his own and each one takes weeks to plan and produce alongside his full-time job as a filmmaker and producer for television.

It’s a lot of work. But I love cinema. I love these directors and I love analyzing films and sharingthis analysis with others, he says. You don’t have to go to the Cinema Institute to learn to be a director. That model is outdated you don’t need it anymore especially with digital films and the independent filmmaking scene.

Soliman hopes the Cinematology series will not only help emerging filmmakers, but will also help viewers develop their visual literacy. Once you understand the grammar of this art form, he says, you start to unlock a lot of messages, and hidden meanings.

With translator Amira Elmasry, Mada Masr is creating English subtitles forCinematologyepisodes and republishing themevery other Wednesday, starting with the first, below.

https://www.youtube.com/watch?v=ZeJ5p0WuAEg

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CHRONOLOGICAL UPDATES PRESS RELEASE KING TUT’S TOMB 2015/16

October 18th 2016King Tutankhamun tomb king tutankhamun tomb hidden chambers

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I have a great respect for the work of Zahi Hawass and despite the criticism often levelled at him regarding ego and personal aggrandisement, one has to admit he has attracted broad improvements and opportunitesfor Egypt and Egyptology during his time(s) in office.

However, I have to confess a concern as to the basis of his objections to the possibility of Nefertiti being buried in the Valley near Tutankhamen – is he just a little miffed that another is suddenly getting world attention on what could arguably be the world’s most important archeological find since Tutankhamun? It would be behove him to quiet a little and be a little more generous with the opinions and intuition of others who are equally qualified and talented – and providing compelling results with their investigation into Tut’s tomb.

There is a question as to whether Nefertiti left Armana and re-established herself at Thebes after Akhenaton’s death, (or possibly even before?). It has also been suggested that the Co-regent Smenkhkare(husband of Merytaten-daughter of Nefertiti and Akhenaten) may have left for Thebes andstarted re-establishing the old religious traditions and did not die as has been claimed in the 3rd year of his reign ….and further… even if the priests were against theburial of ‘the heretics’ in the Valley of the Kings, thepriests would not have had the last say in how or where Nefertiti – or others of that period – were buried, but rather the succeeding Pharaoh (Tutankhamen) – also Grand Vizier Ay (hypothesised father of Nefertiti -Ay was certainly present during the whole Armana period as well as prior in the form of a senior military officer during the reign of Amenhotep III), who became Pharoah after Tutankhamun for a short time. The position of the priests of Amun had been severely weakened during the reign of Akhenaton, it would stand to reason they would be thrilled with the opportunity to re-establishing the old traditions.

It is generally understood thatNefertiti ruled as co-regent and perhaps (more speculatively), was even Pharaoh herself under another name before Tutankhamen although this is a theorydisputed with evidence against, it does have its own compelling evidence and cannot be dismissed out of hand. Recently reference to her has been discovered telling us that she indeed was alive and well long after she ‘disappeared’ from reference at Armana. Consequently, it is feasible that Tutankhamun would have had her buried in Thebes in the Valley of the Kings, as he also began to re-establish the old order before his death. It would makesense that her relatively recent tomb was plundered toprovide some of the necessary tribute forTutankhamens early demise this is another theory. If there were still ambivalent feelings toward those who had lived in Armana and practised the worship of the Aten, then it makes the redistribution of grave goods from Nefertiti to Tut even more plausible.

CONCLUSION: Whether ornot this is Nefertitis tomb, or anothers perhaps Smenkara or Kiya (mother of King Tut) or whether or not it is intact, what riches of knowledge there would be in consolidating such an exciting – and oft romantisized – period in Ancient Egypt. Perhaps it may hold the final story of the extraordinary time of Armana and Akhenaton. It is sad to hear Dr. Hawass talking in such (final) once and for all tone. If some or all of the burial artifacts found in King Tut’s tomb were re-used from another tombs elsewhere for example, ..then the radar may not pick up any scattered papyrus, and definitely not the wealth of primary depictions that may still exist on the walls of thisspace, from ancient grafiti to actual historical depictions. There are many anomalies about Tutankhamuns burial chamber (and some of the artifacts) that suggest it is well worth exploring these rooms no matter what the radar reveals. But right now I am reminded of the words of Om Sety who is quoted as having said: it (the tomb of Nefertiti) – is very near the tomb of Tutankhamen….in a place where no-one would think of looking. Perhaps they should scanned the floor as well?

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EXCITING DEVELOPMENT ON SCAN OF KING TUTANKHAMUN’S TOMB

Nefertiti black and white beautiful imageThis would be like a dream come trueespecially since Hollywood continues to be such a disappointmentin the 21st century – at least in terms of honoring such an extraordinary history and culture. It ismy sincere hope that this will provide the kind of riveting,spectacular theater akin to the discovery of King Tutankhamun’s tomb – not to mention the invaluable historic informationthat will be bought to light.

My skepticism is far outweighed by my desire to have such a remarkable find revealed in my life time…. so much more to know and understand of a radicaltime in Egyptian history. Did the people of Egypt and indeed Nefertiti herself, grow to hate Akhenaten and his religious regimeas has beensuggested by some scholars? Was Nefertiti crowned Pharaoh following Akhenaten’s demise under another name? How and when did she die? Whatrole did she perhaps play in the transition back to the formerreligion?

Perhaps we will learnthis and more…however should this be the final resting place of Nefertiti, the most exciting aspect of this for me is that it would prove Omm Sety to have been correct (yet again).

http://www.ancient-origins.net/news-history-archaeology/spanish-leak-reveals-hidden-chamber-tutankhamun-tomb-full-treasures-005399?nopaging=1

Interview with Dr. Nicholas Reeves

some related documentaries of interest and speculation:

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ABOUT THE EED LOGO – 36 YEARS IN THE MAKING…

Egyptian Elementals Dance and Movement was founded in 2002 in response to my need to find a ‘home’ that would best represent – what was then – 22 years of experience with Egyptian dance – (now 36 years – my first professional performance was in 1980!)

I already had a clear concept of how the EED training would assist dancers by bringing depth and clarity to their technical training and invaluable cultural understanding to the movement and expression.  The website content came together very quickly, as I was able to immediately categorize and publish many articles that I had already completed to assist my students with dance.

What was a lot more problematic and challenging was the simple logo….simple? really? How do you encapsulate something so profound in a graphic?….It was a long and tortuous process (more for the designer than me! lol), of to and froing, until I felt enough of the most important elements were represented.  ‘It’s a bit busy for a logo’ was the designers response – ‘not ideal for ease of publishing’.  Practical and pragmatic have never been my strongest suits, so personally satisfied that the most significant bases had been covered – (and much to the relief of the graphic artist!).. I finally signed off on the EED logo. ?Here is an article I wrote at that time to introduce the logo to the world. ?For details on how you can experience the strength and empowerment of EED for yourself please contact via the website or facebook.

http://www.eed.com.au/page/culture/the_logo/index.html

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